Costumes
As Frances was in charge of the costumes, she chose to keep what the characters wore rather simple and tried to convey certain points of their personalities through their clothes.
For Simon, she decided to try and show that while he is an aspiring journalist, he also works a side job in an office - hence the choice of the bright button up, jeans and a rucksack. The colours of the button up also make his character stand out in his surroundings and it makes him seem like he is not supposed for.
With Sam and Lisa's outfits she decided that it would be best just to use whatever the others had because it stayed true to the idea that all the living characters were still students at the time that the story takes place.
For the patients spirit, Frances used an old hospital gown and then dry brushed layers of brown and black paint onto the seems and around the bottom of the garment to emulate the idea of age and grime. This is meant to show that the patients spirit has been there a long time and possibly suffered before her death. This is also shown in how her hair has been pushed over her face.
The guards spirits costume was a pair of overalls and a cap. In some of the first drafts of our plans for the opening, she was also meant to have a broom that she would use to hit Simon with before he runs away as it was supposed to slow him down.
Sets
For the sets, we decided to use the back of school as it looked more aged than the front which fit better with the idea of an abandoned asylum and because it would be easier to film there as there are always less people around and fewer things to give away the age of the location.
![](https://lh3.googleusercontent.com/lUa0QHvdbrcjdezVoF9o6feIG2wlKJaIUsVi2wnGQFRwvzmXuTnuE8F987BQX-6pZ7_EVUOCqleu2fz_RX06hGpEMfcZWIBj1w0-0_vQTlJSF8Ce4Q9iwyE_GQO-CKMV3tfqILSHxtzDnOVRdzs9zdd-GoUe1NhVM6tLYXM--CCxm8veoc0QTrFCHtu4dU-u1y01W0T0nBuNdgiUXiyfg0eCsa6hTyIzKWzshUyTWLN0d8NOMqt-kQLSe_g2QfXABqEALNUOERqQ48V0F2jHL6gwn9uSyXp7oPUd6llkZUn8x4sInrVfwqFTm7q036Zf6MCPc2CkGhuTM0SUD-gSSLR7M9TO1n5ok8PVmZEZneWrW7J7zby0vg72WNTT0DCzh5S8M50JoDMlxCea5IBn9EofkrDWSPjFzCEVBDL3mwCVjpZNQSGrMYH8IG9Z8_4oHT4Py6KX-iGYc--1IKFdlxltfhVtj6OQ3z6h3GxHDTjAw6yAm6xnEEAbxyK1nyFDd32kndfQKDIh3f0rJ8Dm1elchKNEq9JxMP26RAa529Fw3hM8-p9QMVxJYmJ3i9W_ifQTTG7CZT18_RTbgLo2mS3vCL_dAbGIui9kw5zofiQkTDFFe6muPGM1hwjQ8zdOQlMJT-dtcZCrqTPcK9Ph9YIpIzQXysO2=w1181-h662-no)
We also chose to film in the English corridor after school because it allowed us to use a larger range of shots, such as a tracking one as Simon walks down it looking cautiously through each of the doorways. We also chose to stick newspaper over the boards on the walls like what is often done to older building's windows when they become derelict and unused, and we also turned off all of the corridors main lights - only having it lit from the rooms that lined it.
![](https://lh3.googleusercontent.com/Efxn7RVQOGb45V8mV_8sACjrL7P2-z086cunonvEyRUmGZ4d70z88yRx2Bd_ISm32XvYa8PhONKPEYfXicQcQ5p1yAm_ZbGRxe1GknZb3lfKN-MPh1KptEYzJXdsHewVFYqEJ3GJ-GLwBYOliTrG-BM4bL4KK1qg49lF8dgydbs7zxLaPR10ZU-En3vVWQWTfSiP3s8xjRojnIPcR0wskYqLlcuwsOytVyzfCNUMtdaRKpE5jnyRKKDLCdVKo2cdvCknoNdUayuihMzcUxZOQOUz7nZOnUpNigSE6A3TzUq_M0Qfcv6qjAR9ov9NuYj9tuJ2k_n9-VVwp7hWNJbMBdRLmv6w8yx0JzaAw69EL4S20N2N0YucRsrG1JNOJg0PBTeR-Yxg0cnVQfZAflLwsaghA0ISLST2iXERYjn7aYtOyZ8syWrrc-kgyhZ2SPNizsBBVAFMgfXbqZvjIBp486ZlL_KsXyZpW-3dxR9Wt8fjEwMngALsrz69olMX5w9krzzMgW5-CMn59ecwwyftWG79ZYd8s2fWWwZKAByeu6S-j5Nm8iznD9-4d6jjU3RYxPfsKNdi-oygPsbEPxfggMRvEEWtloBTgDdjvW5BwWwkcTeRECYuJSiCAXIiG-wpjvk6Aj6EhdkfmSyqoD8Sy4_nrM3YCx-8=w1181-h662-no)
Sets
For the sets, we decided to use the back of school as it looked more aged than the front which fit better with the idea of an abandoned asylum and because it would be easier to film there as there are always less people around and fewer things to give away the age of the location.
We also chose to film in the English corridor after school because it allowed us to use a larger range of shots, such as a tracking one as Simon walks down it looking cautiously through each of the doorways. We also chose to stick newspaper over the boards on the walls like what is often done to older building's windows when they become derelict and unused, and we also turned off all of the corridors main lights - only having it lit from the rooms that lined it.