Wednesday, 8 May 2019

Fiction and non-fiction scripts - P1.

There are multiple types of scripts, these are fiction and non-fiction scripts, here is a few examples of these types of scripts

Fiction Scripts

- Yu-Gi-Oh
- Thor: Ragnarok
- Treasure Planet
- Toy Story
- Se7en

Non-Fiction Scripts

- Schindler's List
- Conversations with a killer: The Ted Bundy Tapes
- Death of Stalin
- Dunkirk
- Waterloo

Non-Fiction

An example of a non-fiction piece of media would be a documentary such as the Ted Bundy Tapes documentary. In non-fiction media it is important that the is careful discussing it topic and trying to stay unbiased in it reporting of certain events as so not to offend others and so not to spread misinformation. The scripts also have to effectively convey the message they want to convey using emotive language in oder for the audience to either sympathise or disregard with the subject.

Fiction

These scripts usually have a focus on a story and characters and their journey through that story how they develop as a character and grow. This is shown by Thor: Ragnorak which mostly follows Thor throughout the movie, but switches to other characters if it affects Thors story. These scripts usually focus on events that never occurred but can focus on real life event but usually with aspects changed. Often these scripts will also set the pace for the plot and film as most aspects about these films will be about how they can fit as much character and story development into one scene. Some scripts also can be very clear with there narrative (Toy Story) and some can hide certain elements (Yu-Gi-Oh)

An introduction to scripts, Languages of script, Format and layout of a script - P1.


Introduction to media scripts.
Media types that use scripts include: Radio, TV, Movies, and video games. This can be any part of these media types too! Such as for TV and radio, it could be dramas and the news.

Scripts are a major part of media productions. Good scripts are needed to ensure that there’s a narrative which is able to flow with the story.

Languages of script.
Modes of address: These can be defined as the ways in which the script creates a relationship between the addresser and the addressee. In order for this, communication would be key and provided through the scripts. Producers must make assumptions about their target audient and therefore, reflections of these assumptions will be portrayed within the scripts and made clear. Different modes of address will be used for different target audiences.

Informal and formal modes are one form of mode of address, although there are others. This can be seen by modes of addresses such as:

Point of view: This is mostly relevant to narrative fiction, which includes the option of third person narrators or first person narrators.

Directness: If the viewer of the media is directly addressed, than this would be a form of direct address.

Elaborate codes: This is language that includes technical terms and is formal. This can include more specialist language.

Restricted code: This is language that is informal and therefore, easy to understand. This can include spoken language used in TV dramas.

Format and layout.
Script: A script is the most commonly used term. A script can apply to a stage play, radio show or computer programming script.

Screenplay: This refers to a script for a TV programme and film. This is usually anything intended for a screen.

Shooting script: When screenplays are finalised, they are turned into shooting scripts in the pre-production stages. A shooting script includes camera directions made by the director and cinematographer based on their intentions for how the action is to be framed and overall look. This means that a shooting script is a production tool so that all the crew know what to bring and do ahead of filming.

The scene heading or slugline is able to tell the reader where the scene will take place. There are two main choices to starts with, indoors or outdoors. Once that is done, the name of the location is covered This can sometimes be followed by the time and date. For example: INT. Hogwarts, Gryffindor dormitory – Dusk.

Action: The action sets the scene, this generally describes the setting and allows the writer to introduce the characters and set the stage for the story. This isn’t always here, but if there’s something new in this scene, it will be used. These will always be written in present tense, even if it’s a flashback or a flashforward.

Character names: These will always be capitalised within the script. This allows the characters to be clearly stated within the script and therefore, gives the actors ques for when they should speak.

Dialogue: This is a generic term for when someone speaks. This takes place when two or more people speak, if it’s one singular person, it would be a monologue instead.

Parenthetical: This is a way to show what the character that is speaking is feeling, what emotion they should portray and how they should speak.

Extentions: This includes the words of O.S (Off screen), O.C (Off camera), and V.O (Voice over) these are all for where the character is, if they aren’t seen on the screen.

Transitions: These are indented to the far right of the script for the editors to use when in the stages after production.

Shots: This shows where the camera will be facing, this gives the cameramen prompts for where they should point the camera within the production process.

Fiction and non-fiction scripts - P1.

There are multiple types of scripts, these are fiction and non-fiction scripts, here is a few examples of these types of scripts Fiction S...