Wednesday, 8 May 2019

Fiction and non-fiction scripts - P1.

There are multiple types of scripts, these are fiction and non-fiction scripts, here is a few examples of these types of scripts

Fiction Scripts

- Yu-Gi-Oh
- Thor: Ragnarok
- Treasure Planet
- Toy Story
- Se7en

Non-Fiction Scripts

- Schindler's List
- Conversations with a killer: The Ted Bundy Tapes
- Death of Stalin
- Dunkirk
- Waterloo

Non-Fiction

An example of a non-fiction piece of media would be a documentary such as the Ted Bundy Tapes documentary. In non-fiction media it is important that the is careful discussing it topic and trying to stay unbiased in it reporting of certain events as so not to offend others and so not to spread misinformation. The scripts also have to effectively convey the message they want to convey using emotive language in oder for the audience to either sympathise or disregard with the subject.

Fiction

These scripts usually have a focus on a story and characters and their journey through that story how they develop as a character and grow. This is shown by Thor: Ragnorak which mostly follows Thor throughout the movie, but switches to other characters if it affects Thors story. These scripts usually focus on events that never occurred but can focus on real life event but usually with aspects changed. Often these scripts will also set the pace for the plot and film as most aspects about these films will be about how they can fit as much character and story development into one scene. Some scripts also can be very clear with there narrative (Toy Story) and some can hide certain elements (Yu-Gi-Oh)

An introduction to scripts, Languages of script, Format and layout of a script - P1.


Introduction to media scripts.
Media types that use scripts include: Radio, TV, Movies, and video games. This can be any part of these media types too! Such as for TV and radio, it could be dramas and the news.

Scripts are a major part of media productions. Good scripts are needed to ensure that there’s a narrative which is able to flow with the story.

Languages of script.
Modes of address: These can be defined as the ways in which the script creates a relationship between the addresser and the addressee. In order for this, communication would be key and provided through the scripts. Producers must make assumptions about their target audient and therefore, reflections of these assumptions will be portrayed within the scripts and made clear. Different modes of address will be used for different target audiences.

Informal and formal modes are one form of mode of address, although there are others. This can be seen by modes of addresses such as:

Point of view: This is mostly relevant to narrative fiction, which includes the option of third person narrators or first person narrators.

Directness: If the viewer of the media is directly addressed, than this would be a form of direct address.

Elaborate codes: This is language that includes technical terms and is formal. This can include more specialist language.

Restricted code: This is language that is informal and therefore, easy to understand. This can include spoken language used in TV dramas.

Format and layout.
Script: A script is the most commonly used term. A script can apply to a stage play, radio show or computer programming script.

Screenplay: This refers to a script for a TV programme and film. This is usually anything intended for a screen.

Shooting script: When screenplays are finalised, they are turned into shooting scripts in the pre-production stages. A shooting script includes camera directions made by the director and cinematographer based on their intentions for how the action is to be framed and overall look. This means that a shooting script is a production tool so that all the crew know what to bring and do ahead of filming.

The scene heading or slugline is able to tell the reader where the scene will take place. There are two main choices to starts with, indoors or outdoors. Once that is done, the name of the location is covered This can sometimes be followed by the time and date. For example: INT. Hogwarts, Gryffindor dormitory – Dusk.

Action: The action sets the scene, this generally describes the setting and allows the writer to introduce the characters and set the stage for the story. This isn’t always here, but if there’s something new in this scene, it will be used. These will always be written in present tense, even if it’s a flashback or a flashforward.

Character names: These will always be capitalised within the script. This allows the characters to be clearly stated within the script and therefore, gives the actors ques for when they should speak.

Dialogue: This is a generic term for when someone speaks. This takes place when two or more people speak, if it’s one singular person, it would be a monologue instead.

Parenthetical: This is a way to show what the character that is speaking is feeling, what emotion they should portray and how they should speak.

Extentions: This includes the words of O.S (Off screen), O.C (Off camera), and V.O (Voice over) these are all for where the character is, if they aren’t seen on the screen.

Transitions: These are indented to the far right of the script for the editors to use when in the stages after production.

Shots: This shows where the camera will be facing, this gives the cameramen prompts for where they should point the camera within the production process.

Monday, 29 April 2019

Three Act Structure - P1.

Act I: Setup

This act introduces the main characters and their place in a contemporary, historical, future and/or fantasy reality. Also an incident occurs that causes the protagonist(s) to react to this incident.

Act 2: Conflict



Act 2 is devoted to the protagonist trying to understand and resolve the situation arising from the first turning point.  This takes time because most protagonists are on a journey of innocence to experience. Aided and opposed by other characters, the protagonist must acquire the knowledge, skills and/or self awareness needed to achieve a resolution. This character development constitutes the “character arc.” At the other end of the arc is the Second Plot Point, a.k.a. Second Turning Point, which involves the protagonist understanding all and knowing what to do about it.

Act 3: The “Resolution”

This act resolves all plot and subplot conflicts. This is normally the shorter of the three acts, particularly when Act 3 is a “Hollywood ending.” Most action in movies is occasioned by conflict; the least action by happiness.  

Different Types of Narratives - P1.

When it comes to stories in media such as TV, radio and documentary films. There's a range of different narratives & structures in their stories:

1. Circular - This story structure starts with an ending and then reverts back to the beginning of the story, and then progresses back to the end of the story to show the view, how the story got to this outcome. For example: Hoodwinked

2. Linear - Events occur in Chronological order. For example: Back to the future.

3. Episodic - Events are split into bit size pieces, that are contained in wider narrative archs which are used to tell stores over multiple episodes. For example: Bad Time at the El Royale.

4. Non-Liner - Where events are not in order and the view must piece them together for the story to be revealed i.e. Dunkirk

Every narrative type has different focuses on their users. Some make them obvious that the stories are linked, whereas some don't make them obvious at all and usually only have hints. This can be shown by Pulp Fiction where it's multiple stories into one and then they soon relate to each other to reveal the starting scene. This is a good way to tell the story because it reels the viewer in before they actually view the movie.

Two more narrative styles include single stranded and multi stranded. These are how the stories narrative flows.

Single stranded: This is a narrative that follows a main character or protagonist even if there is an antagonist who disrupts the equilibrium. An example of this is in Black Panther, you follow the protagonist in his efforts to defeat the antagonist.

Multi stranded: This is where multiple stories take place at once. This can be shown by Hoodwinked, which takes the stories of all the characters in the movie and puts them all together at the end instead. These all take place at the same time, but in different locations.

The Angle of Article - P1.

Angle of article

The angle of article is the way that a media product is written, the language it uses and the way it makes the reader feel. Angle of article usually applies to a non-fiction piece with the usual suspects being newspapers, TV broadcasts and documentaries. The way that a writer addresses the story will effect the way that the reader/viewer feels about the story as well as their viewpoint on the story. Most news stories will include the same facts, but the language used - or interviews with certain people- will change the way that a person feels about the story.

An example of when the same story is written with more than one angle by multiple news channels is the 'Kaufman family rescue'.

Script 1 - ABC 10 News (Link to the video)

ABC News tries to come off more sympathetic to the family, they take the blame away from the family. This is because they say that most families go on holiday, it's just that this family had an unknown issue occur.



Script 2 - CBS News (Link to the video)

CBS are more biased against the family, this is shown by how they portray the family as fools, this makes the viewers less sympathetic towards the family, this means that they also made the family be seen as a burden towards the local authorities.

Sunday, 28 April 2019

Annotating my script - M1.


Along with the points that has already been stated, my script has also taken the exact same font that the example from Call of Juarez provided. This font being 'Courier New'. Along with this, I also used the idea that characters who are speaking have their name capitalised, this goes along with the EXT/INT part of the setting. These are key conventions to the video game scripts that are important along with the indentations within the script. When writing my script, my key weakness was the indentations because if I over wrote a part of the script on one line, I would have to go back to it and re indent this and everyone after it until the next section of the script. As a result, this was the hardest convention to cover in my script.

Saturday, 27 April 2019

Media scripts PowerPoint - P1.

Here is a link to the scripts that have been done about: Video game scripts, Radio scripts, Television scripts, and Movie scripts.

The link to the presentations.

Film



TV


Radio


Video Games













The Link to the website

The Direct Link to the Script

Fiction and non-fiction scripts - P1.

There are multiple types of scripts, these are fiction and non-fiction scripts, here is a few examples of these types of scripts Fiction S...